ec7fa8a17afb4ed09668ca3cba134dcd Poetry signals as an indicator of individualization, there is a desire to express themselves on the part of people :Haiku

Poetry signals as an indicator of individualization, there is a desire to express themselves on the part of people :Haiku PLEASURES  "Every pleasure has its climax when it is about to end."     Lucio Anneo Seneca  PAINTING  "Hopper's paintings are brief isolated moments of description that suggest the tone of what will follow them just as they bring to the fore the tone of what preceded them. The tone but not the content. the implications but not the signs evident. they are saturated with suggestions. the more theatrical they are, similar to staging, the more they push us to imagine what it will happen later "     Mark Strand, Edward Hopper, A poet reads a painter (1994), Donzelli editore, 2001, p. 33  POETRY  There is something miraculous in seeing how poetic words (the most "gratuitous" things, in the sense of subtracted from market rules) may instead meet attentive minds and hearts.  Last Sunday riotta, in his very interesting transmission of presentation of the books, traced these data:  2000 poetry prizes, 5000 poetry books a year (10% of turnover) 43 million poems disseminated on the internet.  I interpret these signals as an indicator of individualization, there is a desire to express themselves on the part of people.  And in this individualization (not individualism: but a desire for subjectivity) I see your malaise for politics.   The more one is identified the more difficult it is to find synthesis in current political cultures.  I am a simpler person than a poet: I am a simple living person who places himself in a different way on various planes of inter-human communication.  One thing is me as an individual. One thing is me as a member of a culture. One thing is me as a member of a company. I make these contexts interact and I don't pretend that the logic of one is the same as that of the other.   Poetry is a picture of life taken with words.  It is the meticulous observation of reality, the details of one's own life and those of others, filtered, interpreted by our eyes, our words, our sensitivity.     Andrea from http://nonsequitur.splinder.com/  POETRY haiku  Haiku  Japanese poem consisting of three lines (it would be improper to say consisting of three lines) of 5, 7, 5 syllables (total 17: notable for numerology); it has nature as its object and contains a word that evokes a season.  Composing haiku is a Zen art. As Roland Barthes explained, haiku give rise to a "vision without comments ", reproduce" the gesture of the child who shows anything with his finger saying only "that!"  ...  Giuseppe Ungaretti was among the first to know haiku in Paris; he called them Haikai, as the French still do:  properly Haikai was an ancient form of haiku, with slightly different rules but with the same criterion of brevity.  ...  Modern haiku can be inspired by trying to reduce already short poems to exact modules of 5, 7, 5 syllables. For example  starting from those verses that say "balustrade breeze / to support tonight / my melancholy" can get:  "balustrade / a breeze for my / melancholy"      POETRY VALUE  Value     I value every form of life, snow, strawberry, fly.     I value the mineral kingdom, the assembly of the stars.     I consider wine as a value while the meal lasts, an involuntary smile, the tiredness of those who have not spared, two old people who love each other.     I consider value what tomorrow will no longer be worth anything and what today is still worth little.     I value all wounds.     I consider it worth saving water, repairing a pair of shoes, keeping quiet in time, rushing to a cry, asking allowed before sitting down, feel gratitude without remembering what.     I consider it valuable to know in a room where the north is, what is the name of the wind that is drying the laundry.     I consider the journey of the vagabond worth, the cloister of the nun,the patience of the condemned, whatever fault it is.     I consider the use of the verb to love and the hypothesis that a creator exists.     Many of these values ​​I have not known.  POLICY  It is a clash that marks an era, because it closes the first phase of Berlusconi's fifteen years of power contrasted but balanced and opens another, which has the decisive imprint of a constitutional showdown, however arrive at what Max Weber calls the "institutionalization of the charism" and the breaking of republican balances:  with the threat of some kind of popular plebiscite to force the existing system, draw a Constitution on measure of the Premier, and finally give birth to a new government, as the source and result of this conception technically Bonapartist, albeit in the Italian style.     A case of love and desperation between parents and daughter who tried to dissolve into legality after a torment of 17 years, was transformed yesterday by Silvio Berlusconi into an unprecedented institutional conflict between the government and the Quirinale, with the Head of State who did not sign the government's emergency decree on the Englaro case, after having in vain invited the Premier to reflect on its unconstitutionality, and with Berlusconi who contested the prerogatives of the President of the Republic, announcing the will to govern by decree law without the control of the Quirinale     The government will assume legislative power through decree laws, the only judge of which will be admissible, with the Chambers called to an automatic majority ratification and the Head of State forced to a blind signature of mechanics.     It is a Bonapartist project, with the Premier asking for full powers in the name of the emotional and charismatic bond with its own political community, it is the direct representative of the nation and claims the subordination of all power to the executive.   Yesterday's date opens a new phase in the life of the country, a Third Republic based on a new geography of power, a new constitutional legitimacy, a new concept of sovereignty, transferred from the people to the leader.     The Bonapartist turning point of EZIO MAURO  in La Repubblica 7 February 2009

Poetry signals as an indicator of individualization, there is a desire to express themselves on the part of people :Haiku PLEASURES  "Every pleasure has its climax when it is about to end."     Lucio Anneo Seneca  PAINTING  "Hopper's paintings are brief isolated moments of description that suggest the tone of what will follow them just as they bring to the fore the tone of what preceded them. The tone but not the content. the implications but not the signs evident. they are saturated with suggestions. the more theatrical they are, similar to staging, the more they push us to imagine what it will happen later "     Mark Strand, Edward Hopper, A poet reads a painter (1994), Donzelli editore, 2001, p. 33  POETRY  There is something miraculous in seeing how poetic words (the most "gratuitous" things, in the sense of subtracted from market rules) may instead meet attentive minds and hearts.  Last Sunday riotta, in his very interesting transmission of presentation of the books, traced these data:  2000 poetry prizes, 5000 poetry books a year (10% of turnover) 43 million poems disseminated on the internet.  I interpret these signals as an indicator of individualization, there is a desire to express themselves on the part of people.  And in this individualization (not individualism: but a desire for subjectivity) I see your malaise for politics.   The more one is identified the more difficult it is to find synthesis in current political cultures.  I am a simpler person than a poet: I am a simple living person who places himself in a different way on various planes of inter-human communication.  One thing is me as an individual. One thing is me as a member of a culture. One thing is me as a member of a company. I make these contexts interact and I don't pretend that the logic of one is the same as that of the other.   Poetry is a picture of life taken with words.  It is the meticulous observation of reality, the details of one's own life and those of others, filtered, interpreted by our eyes, our words, our sensitivity.     Andrea from http://nonsequitur.splinder.com/  POETRY haiku  Haiku  Japanese poem consisting of three lines (it would be improper to say consisting of three lines) of 5, 7, 5 syllables (total 17: notable for numerology); it has nature as its object and contains a word that evokes a season.  Composing haiku is a Zen art. As Roland Barthes explained, haiku give rise to a "vision without comments ", reproduce" the gesture of the child who shows anything with his finger saying only "that!"  ...  Giuseppe Ungaretti was among the first to know haiku in Paris; he called them Haikai, as the French still do:  properly Haikai was an ancient form of haiku, with slightly different rules but with the same criterion of brevity.  ...  Modern haiku can be inspired by trying to reduce already short poems to exact modules of 5, 7, 5 syllables. For example  starting from those verses that say "balustrade breeze / to support tonight / my melancholy" can get:  "balustrade / a breeze for my / melancholy"      POETRY VALUE  Value     I value every form of life, snow, strawberry, fly.     I value the mineral kingdom, the assembly of the stars.     I consider wine as a value while the meal lasts, an involuntary smile, the tiredness of those who have not spared, two old people who love each other.     I consider value what tomorrow will no longer be worth anything and what today is still worth little.     I value all wounds.     I consider it worth saving water, repairing a pair of shoes, keeping quiet in time, rushing to a cry, asking allowed before sitting down, feel gratitude without remembering what.     I consider it valuable to know in a room where the north is, what is the name of the wind that is drying the laundry.     I consider the journey of the vagabond worth, the cloister of the nun,the patience of the condemned, whatever fault it is.     I consider the use of the verb to love and the hypothesis that a creator exists.     Many of these values ​​I have not known.  POLICY  It is a clash that marks an era, because it closes the first phase of Berlusconi's fifteen years of power contrasted but balanced and opens another, which has the decisive imprint of a constitutional showdown, however arrive at what Max Weber calls the "institutionalization of the charism" and the breaking of republican balances:  with the threat of some kind of popular plebiscite to force the existing system, draw a Constitution on measure of the Premier, and finally give birth to a new government, as the source and result of this conception technically Bonapartist, albeit in the Italian style.     A case of love and desperation between parents and daughter who tried to dissolve into legality after a torment of 17 years, was transformed yesterday by Silvio Berlusconi into an unprecedented institutional conflict between the government and the Quirinale, with the Head of State who did not sign the government's emergency decree on the Englaro case, after having in vain invited the Premier to reflect on its unconstitutionality, and with Berlusconi who contested the prerogatives of the President of the Republic, announcing the will to govern by decree law without the control of the Quirinale     The government will assume legislative power through decree laws, the only judge of which will be admissible, with the Chambers called to an automatic majority ratification and the Head of State forced to a blind signature of mechanics.     It is a Bonapartist project, with the Premier asking for full powers in the name of the emotional and charismatic bond with its own political community, it is the direct representative of the nation and claims the subordination of all power to the executive.   Yesterday's date opens a new phase in the life of the country, a Third Republic based on a new geography of power, a new constitutional legitimacy, a new concept of sovereignty, transferred from the people to the leader.     The Bonapartist turning point of EZIO MAURO  in La Repubblica 7 February 2009



Poetry signals as an indicator of individualization, there is a desire to express themselves on the part of people :Haiku

PLEASURES


"Every pleasure has its climax when it is about to end."


 

Lucio Anneo Seneca


PAINTING


"Hopper's paintings are brief isolated moments of description that suggest the tone of what will follow them just as they bring to the fore the tone of what preceded them. The tone but not the content. the implications but not the signs evident. they are saturated with suggestions. the more theatrical they are, similar to staging, the more they push us to imagine what it will happen later "

 

Mark Strand, Edward Hopper, A poet reads a painter (1994), Donzelli editore, 2001, p. 33


POETRY


There is something miraculous in seeing how poetic words (the most "gratuitous" things, in the sense of subtracted from market rules) may instead meet attentive minds and hearts.

Last Sunday riotta, in his very interesting transmission of presentation of the books, traced these data:

2000 poetry prizes, 5000 poetry books a year (10% of turnover) 43 million poems disseminated on the internet.

I interpret these signals as an indicator of individualization, there is a desire to express themselves on the part of people.


And in this individualization (not individualism: but a desire for subjectivity) I see your malaise for politics.

 The more one is identified the more difficult it is to find synthesis in current political cultures.

I am a simpler person than a poet: I am a simple living person who places himself in a different way on various planes of inter-human communication.

One thing is me as an individual. One thing is me as a member of a culture. One thing is me as a member of a company. I make these contexts interact and I don't pretend that the logic of one is the same as that of the other.


Poetry is a picture of life taken with words.


It is the meticulous observation of reality, the details of one's own life and those of others, filtered, interpreted by our eyes, our words, our sensitivity.

 

Andrea from http://nonsequitur.splinder.com/

POETRY haiku


Haiku


Japanese poem consisting of three lines (it would be improper to say consisting of three lines) of 5, 7, 5 syllables (total 17: notable for numerology); it has nature as its object and contains a word that evokes a season.

Composing haiku is a Zen art. As Roland Barthes explained, haiku give rise to a "vision without comments ", reproduce" the gesture of the child who shows anything with his finger saying only "that!"

...

Giuseppe Ungaretti was among the first to know haiku in Paris; he called them Haikai, as the French still do:

properly Haikai was an ancient form of haiku, with slightly different rules but with the same criterion of brevity.

...

Modern haiku can be inspired by trying to reduce already short poems to exact modules of 5, 7, 5 syllables. For example

starting from those verses that say "balustrade breeze / to support tonight / my melancholy" can get:

"balustrade / a breeze for my / melancholy"


 

POETRY VALUE


Value

 

I value every form of life, snow, strawberry, fly.

 

I value the mineral kingdom, the assembly of the stars.

 

I consider wine as a value while the meal lasts, an involuntary smile, the tiredness of those who have not spared, two old people who love each other.

 

I consider value what tomorrow will no longer be worth anything and what today is still worth little.

 

I value all wounds.

 

I consider it worth saving water, repairing a pair of shoes, keeping quiet in time, rushing to a cry, asking
allowed before sitting down, feel gratitude without remembering what.

 

I consider it valuable to know in a room where the north is, what is the name of the wind that is drying the laundry.

 

I consider the journey of the vagabond worth, the cloister of the nun,the patience of the condemned, whatever fault it is.

 

I consider the use of the verb to love and the hypothesis that a creator exists.

 

Many of these values ​​I have not known.

POLICY

It is a clash that marks an era, because it closes the first phase of Berlusconi's fifteen years of power
contrasted but balanced and opens another, which has the decisive imprint of a constitutional showdown, however arrive at what Max Weber calls the "institutionalization of the charism" and the breaking of republican balances:

with the threat of some kind of popular plebiscite to force the existing system, draw a Constitution on
measure of the Premier, and finally give birth to a new government, as the source and result of this conception technically Bonapartist, albeit in the Italian style.

 

A case of love and desperation between parents and daughter who tried to dissolve into legality after a torment of 17 years, was transformed yesterday by Silvio Berlusconi into an unprecedented institutional conflict between the government and the Quirinale, with the Head of State who did not sign the government's emergency decree on the Englaro case, after having in vain invited the Premier to reflect on its unconstitutionality, and with Berlusconi who contested the prerogatives of the President of the Republic, announcing the will to govern by decree law without the control of the Quirinale

 

The government will assume legislative power through decree laws, the only judge of which will be admissible, with the Chambers called to an automatic majority ratification and the Head of State forced to a blind signature of mechanics.

 

It is a Bonapartist project, with the Premier asking for full powers in the name of the emotional and charismatic bond with its own political community, it is the direct representative of the nation and claims the subordination of all power to the executive.

 Yesterday's date opens a new phase in the life of the country, a Third Republic based on a new geography of power, a new constitutional legitimacy, a new concept of sovereignty, transferred from the people to the leader.

 

The Bonapartist turning point of EZIO MAURO

in La Repubblica 7 February 2009

 

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